Ice
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导演:
Marshall Tyler
剧情:
SeasonthreeofCITYONAHILLbringsustoBoston’shighsocietyBeaconHill.HavinglefttheFBIandthrownhisbadgeintoBostonHarbor,JackieRohr(Bacon)landsalavishnewgigrunningsecurityforawealthyfamily.Lifeisgooduntilsecretsbegintounravel.Whenaninvestigationopens,ADADecourcyWard(Hodge)seesanopportunitytofinallyripoutthemachineryperpetuatingabrokencriminaljusticesystem.SiobhanQuays(Banks),representingaconstructionworkerwhowasseverelyinjuredontheBigDig,encountersthecity’scorruptionfirsthand,allwhilecopingwiththetraumaticeventsofherpastyear.AsJennyRohr(Hennessy)canattest,givenherhistorywithherfather,someexperienceswillhauntyoubeyondyourbreakingpoint.
导演:
安德里亚·迪·斯戴法诺
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Milan.Onthenightbeforehisretirementafter35yearswithouthavingfiredashot,LieutenantAmoreseeshisworldturnedupsidedown.Butmaybeitistheworldaroundhimthathaschanged.Athrillerpoisedperilouslybetweenlawandcriminality.源自:https://www.berlinale.de/en/2023/programme/202314306.html
导演:
罗丝·马塔费奥,Alice Snedden
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StilllivinginLondonandworkingatthelocalcinema,Jessie(RoseMatafeo)exploresanewsinglelifeafterpartingwayswithfilmstarTom(NikeshPatel).Twoyearsafterthebreakup,Jessienavigatesthepressuresofadulthoodandisconfrontedwiththeconsequencesofherownchoicesasherfriendsmoveontothenextstagesintheirlives,whileJessieisleftquestioningwhatsheisreallylookingfor.
导演:
王颖
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奥吉(哈威·凯特尔HarveyKeitel饰)经营着一间雪茄店,年近四十的他依然过着形单影只的生活,只有常常光顾的潦倒作家本杰明(威廉·赫特WilliamHurt饰)能偶尔跟他聊聊天,解解闷。本杰明的生活同样不尽如人意。一场意外让本杰明遇见了名为拉希德(哈罗·佩里纽HaroldPerrineauJr.饰)的黑人男孩,一来二去之间,两人结下了深厚的友谊。某日,奥吉的前女友卢比(斯托卡特·詹宁StockardChanning饰)来到了雪茄店,两人有十八年没有见过面了。卢比告诉奥吉,他们的女儿费莉希蒂(艾什莉·贾德AshleyJudd饰)不仅未婚先孕,还染上了毒品,尽管奥吉和这个素未谋面的女儿之间并没有亲情可言,但他还是驱车前去探望。
导演:
杰克·西曼斯基
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由《麻木不仁》“Steve” James Marsden领衔参与的《陪审义务》(Jury Duty)公开,剧集将于4月7日首播,首更四集,4月21日季终。本剧将会是一部以法院为背景、糅合纪录片元素的多镜头喜剧。它通过一位叫做Ronald Gladden的陪审员作为视角,记录了陪审团审判制度的内部运作。Ronald并不知道整个案件都是假的,除了他之外,每个人都是演员,包括James,而且发生的一切——法庭内外——都是精心策划的。这个高度保密的项目在去年9月首次被披露,将会是一个十分独特、类型突破、将整个故事置于陪审团进行裁决的观察;它会有点模仿Sacha Baron Cohen在《波拉特》以及其它作品(与他曾经合作过的几名制片人也在主创团队)、Nathan Fielder等节目的形式,依靠James与一些演员没有脚本的即兴互动、无法预测的既定走向创造效果。James早前和一群有着即兴喜剧背景的演员以及被真实传唤、担任陪审员的普通人进行了拍摄,并在洛杉矶南部的一个真实法庭完成了拍摄。这是在他于《西部世界》演出之外,抽空完成的。除去James 之外,其它较为人熟悉的演员包括《情何以堪》“Luke” Evan Williams、《最后的大亨》“Mary” Whitney Rice、《爱芯》“Xtra” Edy Modica、《大学女生的 性生活》“Eric” Mekki Leeper、和《保留地之犬》“Kenny” Kirk Fox。
导演:
杰兹·斯科利莫夫斯基
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阿富汗人穆罕穆德(文森特·加洛VincentGallo饰)在荒芜的山地中偶遇三名美军,他在惊慌失措中用手中的武器杀死了他们。穆罕穆德被随后赶到的美军活捉,在美军监狱中遭到审讯和虐待。在押解的路上,美军车辆遭遇车祸,默罕默德于混乱中意外的获得了自由。他在冰天雪地中杀死过路人,抢夺了车辆和衣服,又在美军的追踪中杀死军犬。在杳无人烟的森林中,默罕默德依靠树皮充饥,为生存进行卓绝的困兽之斗,在冰雪的侵袭中,他依稀看到了往日的时光,并神奇的感知未来发生的事情。默罕默德的逃亡之路伴随着几乎随机发生的杀戮,恶劣的生存环境促使他回归原始……
导演:
詹姆斯·曼高德
剧情:
约翰·卡什(杰昆·菲尼克斯JoaquinPhoenix饰)本是个阿肯色州乡村小子,儿时一场意外令他弟弟身故,从此他便活在父亲(罗伯特·帕特里克RobertPatrick饰)的谴责和嘲讽下无力翻身。爱音乐的他慢慢以乡村歌手成名,也有了自己的家庭,但外出巡演时偶然接触到毒品慢慢令他不能自拔,将他带入深渊。吸毒令妻子薇薇安(詹妮弗·古德温GinniferGoodwin饰)带着孩子离开了他,他只好去找心仪已久、但因婚姻在身无法在一起的女歌手琼·卡特(莉丝·威瑟斯彭ReeseWitherspoon饰),后者给予他援手,帮助他戒毒,却也一次次拒绝了他的求爱。戒毒成功的卡什得以重启事业,和卡特的爱情也在两人的舞台上终成正果。
导演:
Jim Donovan
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一名17岁的少女在她计划自杀的当晚被绑架,她必须为活下去而战斗。她设法说服袭击者放过她,在经过26小时后等来了生机。但当她回家时,除了一名怀疑凶手为连环杀手的侦探外,没有人相信她的故事。影片改编自可怕的真实事件。
导演:
Carlos Alonso Ojea
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Afterbeingcomplicitinacostumejokethatendsinafatalaccidentandapactofsilence,agroupofyoungpeoplewillbethreatenedbyananonymouswriterwhowantstorevealhisdarksecret.Theirstalkerthreatenstopostabloodyhorrornovelbasedonthemonsocialmedia.Eachchapteroneofthemwilldie.Whiledistrustingeachother,thegroupwillbeginafightforsurvivalinthemiddleoftheuniversitycampus.Anyoneofthemcouldbethenextvictim,orthekiller.
导演:
渡边浩
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游戏《Collar×Malice》宣布剧场动画化,本作将于2023年在日本上映。PV链接:https://www.bilibili.com/video/BV1bV4y1p7NL
导演:
玛利亚·卡夫塔拉德泽
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《热恋慢慢来》(Slow)探讨鲜少被关注的无性恋者世界,在一场听障学生的舞蹈课,豪放的现代舞者艾莲娜对手语翻译员多维达斯一见钟情,对方却是位无性恋者,两人互动将激发观众对欲望的全新理解。
导演:
约瑟夫·罗西
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ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
导演:
Sophie Blackshaw,Amelia Bonnet
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讲述尼莫船长和他充满传奇性的潜水艇“鹦鹉螺号”的起源故事。尼莫(沙扎德·拉蒂夫饰),一个印度王子,他被剥夺了权利和家庭,成为东印度公司的囚徒,想要向夺走了自己的一切的势力复仇。此后他开始航海之旅,一边抵抗敌人,一边发现那些有魔力的水下世界。
导演:
瓦莱利安·博罗夫奇克
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为了保持家族的荣耀,贵族们将自己的女儿送入修道院,以修身养性。这些修女们都出身于佛罗伦萨最富有的家庭,她们心怀对外界的渴望,却被投入了修道院这个牢笼之中。她们强烈反对父母的不公平对待,只能在爱情中寻求安慰。因此,修女们设法满足自己的欲望。年老的修女院长试图阻止修女们沉溺于欲望之中,但是禁令无法起到实质性的作用,因为修女们私下里大多都有自己的情人。院长会在修女们不在房间的时候进行搜查,一旦发现与上帝不忠的迹象,就会对她们进行惩罚。大部分修女都很年轻,对修道院的生活感到厌倦,日常生活单调无味。因此,禁欲和清规戒律引发了她们内心的仇恨,最终导致了悲剧的发生。