Art
搜索"Art" ，找到 1654部影视作品
导演：
Stobe,Harju
剧情：
年逾七十的作曲家汤姆·怀特曼（FrancisX.McCarthy饰）罹患癫痫和血栓痴呆，他早已分不清现实世界，更遗忘女儿杰姆（MarianneFarley饰）的存在。他的脑海，早已退转到那个充满奇幻色彩的童年时代。记忆的最深处，生活在孤儿院的少年汤姆（奎恩·罗德饰）受到雪人的邀请，御空飞行追赶多年未曾谋面的父亲。他们遭遇风暴，坠落在一处陌生所在，四周是回环往复的不变旋律，汤姆甚至见到了年仅7岁的杰姆。仿佛不曾存在过的世界，以及三代人剪不清理还乱的情感纠葛。 弥留之际的老人，灵魂困在朽败的躯体内，经历着毕生刻骨难忘的旅程。
导演：
Luke Meyer,安德鲁·尼尔
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Darkon是一个游戏组织，自1985年起一直活跃在巴尔的摩和华盛顿地区。每隔一周，就有大约150至300名成员聚集起来，整理装备，集体在网上开战。本片对Darkon组织所进行的活动进行了记录。
导演：
Paul Schneider
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This movie was the most illogical and stupid movie EVER made. If the FBI would have been called in once it was officially a kidnapping, the movie would have been over in 20 minutes and all of the people involved would have been in jail. Instead, the peo
导演：
安东尼·C·费兰特
剧情：
英国政府邀请抗击鲨卷风的英雄芬•谢泼德参加关于抵御鲨卷风的高级会议。但他的好友诺娃在此时紧急联系他前往巨石阵探寻人类祖先抵御鲨鱼的秘密。两人在神秘洞穴中取得神器，却没想到引发了大规模的风暴，无数鲨鱼从天而降，世界各地接连遭遇灾难。芬和诺娃匆忙赶回，与半机器人的妻子阿普里尔和小儿子吉尔并肩作战。然而风暴太过猛烈，诺娃没能保护好吉尔，致使他被卷入风暴。芬和阿普里尔心急如焚，想方设法欲进入风暴救出儿子。他们被风暴带到瑞士、澳大利亚、巴西、意大利和日本，所到之处哀鸿遍野，一片狼藉。这时，被海上核废料污染发生变异的鲨鱼愈发凶猛，芬的家人朋友纷纷殉难，噩耗接踵而至。痛心疾首的夫妇二人将何去何从，他们将如何阻止灾难的继续？
导演：
Paul,Schneider
剧情：
This movie was the most illogical and stupid movie EVER made. If the FBI would have been called in once it was officially a kidnapping, the movie would have been over in 20 minutes and all of the people involved would have been in jail. Instead, the people searching for the kidnapped kid, bumble their way through two hours of absolutely unpredictable stupidity.
导演：
亚当·拉普
剧情：
美丽女孩瑞茜·霍尔登（佐伊·丹斯切尔 Zooey Deschanel 饰）心中怀有表演的梦想，为此她从密歇根州的老家来到大都会纽约，靠着自己的勤奋取得了些许成就。她的父亲丹（埃德·哈里斯 Ed Harries 饰）曾是一名知名作家，却因爱妻之死而将近二十年再未执笔。瑞茜 和父亲的关系颇为冷淡，父女二人分别多年几无联系。某晚，演出完毕的瑞茜迎来一位不速之客，她叫劳瑞·兰斯基（艾米·麦迪甘 Amy Madigen 饰），是一个以编书为生的女人。劳瑞对丹当年写给爱妻的情书极为感兴趣，她希望瑞茜能够提供这些情书。
虽然实现了演员的梦想，但是瑞茜仍为生计所迫。在丰厚报酬的诱惑下，她决定返回阔别七年之久的老家，却未曾想到这是一次改变人生的旅程……
导演：
Radványi,Géza
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
导演：
弗雷德·奥伦Fred Olen Ray
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孩童提米自幼丧母，困扰繁多：与继母矛盾连连，收养宠物斗牛犬被禁足。然而在第二天提米却认识一位“心灵相通”的朋友萨摩娜——从杂技场逃出的大猩猩。 但生性活泼的大猩猩萨摩娜却把家里搞得一团糟，提米只好把它送到头脑秀逗的越战老兵威拉德家中，不幸的是，杂技场老板与狩猎者为了骗取保险金要杀死萨摩娜，更糟糕的是，一老一小组成的拯救二人组落入魔手，关键时刻，猩猩发飙了!
导演：
弗雷德·奥伦Fred,Olen,Ray
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剧情：
孩童提米自幼丧母，困扰繁多：与继母矛盾连连，收养宠物斗牛犬被禁足。然而在第二天提米却认识一位“心灵相通”的朋友萨摩娜——从杂技场逃出的大猩猩。 但生性活泼的大猩猩萨摩娜却把家里搞得一团糟，提米只好把它送到头脑秀逗的越战老兵威拉德家中，不幸的是，杂技场老板与狩猎者为了骗取保险金要杀死萨摩娜，更糟糕的是，一老一小组成的拯救二人组落入魔手，关键时刻，猩猩发飙了!
导演：
Francesco,Stefani
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前东德最好的一部超现实主义幻想剧！ this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence! This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.
导演：
亚历克·鲍德温
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杰贝兹（亚历克·鲍德温 Alec Baldwin 饰）是一名男装推销员，在艰难维生的同时亦没有放弃成为作家的梦想。可是，上帝似乎无意眷顾这个努力的可怜人，他不仅因为种种意外而丢掉了工作，呕心沥血撰写的手稿也遭到了出版商丹尼尔（安东尼·霍普金斯 Anthony Hopkins 饰）的否定，更糟糕的是，他的好友朱利叶斯（丹·艾克罗伊德 Dan Aykroyd 饰）刚刚签下了高达19万美元的出版合同。
垂头丧气的杰贝兹失去了一切，只剩一台破旧的打字机，他负气将打字机扔出窗外，却好巧不巧砸中了一个路过的老妇人，他的正常生活眼看着就要走到尽头，就在此时，杰贝兹的眼前出现了一位红发女子（詹妮弗·洛芙·休伊特 Jennifer Love Hewitt 饰），这位撒旦的化身答应帮助杰贝兹实现愿望，但要他拿自己的灵魂做交换。
导演：
Chris Heimerdinger
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女主角克拉的父亲某日追逐受伤的麋鹿而潜入树林，自此消失无踪父亲消失后，母亲更因吸毒过量致死，十二年后，克拉和弟弟回到那片树林寻找记忆，竟然发现了这个埋藏于未来未知世界的神奇秘密。一个盘旋于古老与文明的战争，眼看即将展开…
导演：
拉斯姆斯·A·西韦特森,Marit,Moum,Aune
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故事讲述了茫茫大海中的一个黑暗丛林里，年轻的男孩马可正在逃离可怕的巫师和他的猿猴军队。逃跑途中，马可偷到一颗能够在满月时分实现愿望的魔法钻石。但不久之后，名声狼藉的剑齿虎船长听说了这颗神奇的钻石，决定率领海盗团将这颗钻石夺走……
导演：
Karen Arthur
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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody....
导演：
让-马里·斯特劳布,达尼埃尔·于伊耶
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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
导演：
扬·雅库布·科尔斯基
剧情：
魔幻现实主义影片。 10岁的斯塔谢克Staszek（托马什•克雷夏克饰）在他的日记中记录了他的同学约瑟夫的一些事。约瑟夫来自波皮耶拉瓦赫（Popielawach）地区美丽乡村一个铁匠世家，历代长子的名字都叫约瑟夫，由于他是第6代长子，所以有个意为排行第六的绰号“舒斯泰克” Szustek（米哈乌•亚辛斯基饰）。舒斯泰克自小就有打破家庭传统，拒绝成为一名铁匠的信念，而一直对祖传的一部电影放映机和其机械原理感兴趣。 一天晚上，放置这套放映设备的小屋被一个流浪的残疾音乐家库拉维克Kulawik（马里乌什•萨尼泰尔尼克）酒后纵火焚毁。在被赶来的、怒火中烧的舒斯泰克和他的父亲约瑟夫第五Józef V（克日什托夫•迈赫扎克饰）揍过一顿后，库拉维克悄悄告诉约瑟夫第五，说他常常跟约瑟夫第五的妻子哈努特卡第五Chanutka V（格拉日娜•布文茨卡-科尔斯卡饰）约好了在此屋偷情，这次是因为投石块打暗号恰巧砸翻了油灯而引发了火灾。 震惊之下的约瑟夫第五不再责备眼前这个令人瞧不起的乞丐，反倒放过了他。哈努特卡第五是个向往生活的女人，她不乐意生活在乡下，但她性功能低下的丈夫偏偏要继承祖传的家业，久而久之，她便在其他男人，包括通往乡间长途汽车的司机身上寻找做个真正女人的那种欢愉。 1860年，波皮耶拉瓦赫乡下。舒斯泰克的祖先约瑟夫第一Józef I（巴尔托什•奥帕尼亚饰）是个手艺精湛、充满想象力的铁匠。他不能违背父亲（维斯瓦夫•科特饰）的意愿，在跟与乡绅（扬•诺维茨基饰）有染的村姑亚戈达Jagoda（伊莎贝拉•布科夫斯卡饰）结婚的那天起，就下决心要摸透光的原理，提升照相机的工作性能，使照相机能放出会动的照片来，借此逃脱这桩婚姻的现实。凑巧同一天，乡绅的独生女（玛丽亚•格瓦德科夫斯卡）学习绘画完师后从巴黎回乡，而这个女继承人的习作给了他极大的灵感。儿子出生后，约瑟夫第一心知这其实就是女画家的弟弟，他越发把时间都用在了他的梦想上。 心爱的设备被毁令舒斯泰克伤心，他央求父亲重新制作，而感到被生活剥离得仅存一个肉体身躯的约瑟夫第五根本不愿理会儿子的想法。是舒斯泰克未能学到祖传手艺的、喜欢电影放映的、老迈的亚内克伯父给了他支持，舒斯泰克试图在幸存的电影放映机设计图上找到他自己能制作这套设备的诀窍。此时，哈努特卡第五在私情暴露后，不愿受丈夫的气，决定外出做工。 向高贵挑战，情欲最终战胜了阶级差别。约瑟夫第一在赢得女画家身体的同时，迸发出极大的创作热情，他将她优雅的舞姿用平行尺绘制在了鱼鳔制作的“胶片”上，终于完成了一部用马匹驱动、以木质为框架的电影放映机的制作。 1863年，波兰爆发了反对沙俄殖民统治和反对封建的民族大起义。“红党”起义军的戎装女流哈努特卡第一Chanutka I（约安娜•奥尔良斯卡饰）慕名来到约瑟夫第一的铁匠铺征求他制作武器的帮助。这使他有了人生唯一的一次爱情。不久，起义遭沙皇军队镇压，他也染上了伤寒，被“红党”和他的爱人运到了炮火中的冰天雪地里待毙。 战火燃向了波皮耶拉瓦赫。倒是沙皇的官兵没有丝毫破坏他们的战利品——约瑟夫用心血倾注的留世之作——电影放映机，而是对它发生了转眼即逝的兴趣。这是卢米埃尔兄弟发明电影技术之前的事。 舒斯泰克因体弱住院治疗，为了不让护士（玛格德莱娜•奥斯托尔斯卡饰）知道他在悄悄研究机械原理，跑开时又摔断了腿。约瑟夫五世为儿子的不懈所感动，同意为儿子照原样重新制作一部电影放映机，同时，他的生活激情也有了积极的转变，他来到妻子做工的工厂门口——他要接哈努特卡第五回家，他需要她的帮助，他想让她与他一同来完成儿子的这个最大的心愿……
导演：
伊曼努尔·马雷,朱莉·勒库尔
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年轻空姐卡珊卓任职于廉航，每日飞往不同城市却从不观光，只想流连电音派对、沉迷酒精或在交友软体找对象。对公司来说，她是无可挑剔的员工；恪遵每条工作指南、达成每项销售目标、答应每次加班要求，甚至不声援同仁的工会活动。但在她耐心对待麻烦乘客，亲切服务倍受赞扬的完美妆容下，却没人察觉她眼底的那抹悲伤。
双导演对空服员一职细心考究，延请多位航空公司职员出演，以纪录片般的精准度，呈现空服员的专业劳动。阿黛儿艾萨卓普洛斯独挑大梁，继《蓝色是最温暖的颜色》后再展自然纯粹的本色演技，女主角的荒腔走板日常，是卡夫卡式的现代寓言，抑或是寂寞伤痛的另一种诠释？
导演：
菲奥娜·戈登,多米尼克·阿贝尔,布鲁诺·罗密
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作为一个中年男人，多姆（多米尼克·阿贝尔 Dominique Abel 饰）的生活可谓是乏善可陈，没有朋友，没有爱情，干着一份讨厌的工作，每天都要面对烦人的客户。一次偶然中，多姆结识了名叫菲欧娜（菲欧娜·戈登 Fiona Gordon 饰）的美丽女子，让多姆感到意外的是 ，菲欧娜竟然自称是能够实现他三个愿望的仙女。 完全不相信菲欧娜的多姆开玩笑似地许下了两个愿望，没想到隔天早晨愿望竟然真的成为了现实。随着时间的推移，多姆对这个神秘的女孩越来越着迷，然而，就在他决定正视自己的感情时，菲欧娜却失踪了。多姆怎么也不会想到，他和菲欧娜之间的重逢会发生在一间精神病院。
导演：
JamieDixon
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当一群阿富汗的军人追捕恐怖份子途中 进入了一个迷宫似的洞穴 在这个洞穴底下有著完全不同的景观, 可怕的是一群基因突变的蝙蝠开始狂噬人肉!
导演：
保罗·萨纳耶夫
剧情：
几个酷爱电子游戏的年轻人——吸血鬼季马、博士、大个子、蚊子、丽塔、马克西姆在电子游戏大赛中一举夺魁，大赛赞助商将该公司新开发的一款“反恐精英”游戏作为额外的奖品发给了他们。 年轻人们兴致勃勃地回家把光盘插进了电脑，不料意外发生了，电脑主板被烧，而且音响发出的声波几乎让人晕倒。此后在他们身上发生了一系列怪异现象，马克西姆在捍卫女友列娜与黑帮的较量中，发现自己具有了电脑游戏中人物的超级能量。正当他想把这一切告诉季马他们时，遭到黑帮绑架。季马一伙尾随而至，决定用手中的彩弹枪救出马克西姆。他们冲进了关押马克西姆的仓库，却撞上了几十名实枪荷弹的士兵，原来这是商人鲍利斯新购买的雇佣军。双方展开了激烈的交火，五名年轻人将雇佣军悉数击毙。 鲍利斯顺势雇佣了这五名年轻人，派他们去暗杀自己的商业竞争对手。在执行任务中，季马发现了鲍利斯的秘密，他是想获得波利维亚可替代新能源的钯矿开采权和那些可以将普通人变成超级战士的光盘。 季马试图阻止这一切，但是兄弟反目，博士、扬和蚊子执意要自己拥有这些光盘，取代鲍利斯的位子。他们设计利用季马、马克西姆和丽塔偷袭了鲍利斯的基地。眼看光盘到手，但政府的特种兵到来了……
