IV
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导演:
Oskar Santos
主演:
剧情:
影片的主人公泽皮(Zipi )和扎佩(Zape)来自西班牙广为人知的漫画,就像法国的“小淘气尼古拉”和英国的“哈利波特”,他们的名字合在一起是西班牙语中“混乱”的意思。他们于1947年在漫画家José Escobar Saliente的笔下被创造。泽皮和扎佩是一对双胞胎,喜欢冒险,每每总能以机智化险为夷。他们在学校里专司调皮捣蛋。他们都是狂热的足球迷。两个人最大的区别是一个黑发,一个金发。
导演:
Todd Wilson,Robin Feinberg
剧情:
Okay,ifyouarelookingforslickHollywoodproductionvalues,skipthisone.Butthefilmdoeshavesweetness,charm&sincerity.Theactingandwritingareunevenatbest,butIthoughtJamesMarksastheboarderRobertwascharming&sexy.Yes,"TheWeddingBanquet"isasuperiorfilmthatcoversmuchofthesameterritory.But"UnderOneRoof"hasitshonestpleasuresaswell.
导演:
路易·马勒
剧情:
二战末期,德国的反犹政策还在坚定不移地推行着。来自马赛的犹太孩子波奈特(拉法艾丽·弗托RaphaelFejtö饰)因此家破人亡,被送到法国的学校念书。在这里,他一直小心翼翼的保守着他的秘密,但还是因为新生的关系常常遭到同学戏弄。其中就有法国有钱家庭出身的朱利安(加斯帕尔·马奈斯GaspardManesse饰)。朱利安和波奈特成为了室友,在共同相处的日子里,朱利安发现,这个经常被欺负的男孩有着跟自己志趣相投的一面。两人的关系渐渐融洽,成了童年要好的伙伴。当朱利安从种种迹象猜测出波奈特的犹太人背景时,他没有疏远波奈特,而且还帮忙隐藏这个秘密。也许在孩子的心中,政治世界在真挚的友谊面前显得太过渺小。然而,大人的魔掌还是侵入了波奈特的人生,保护犹太孩子的神父和波奈特都被出卖了……
导演:
Rob Sullivan,Alistair Tones
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Celebrates the remarkable comeback of one of the world's most iconic animals. Tiger populations have rebounded so successfully, many of the big cats are venturing from India's forest reserves into farms and villages-a monumental challenge for both people and animals. The heroes in this story are the vets, scientists, and community patrols dedicated to ensuring that tigers and p...
导演:
西里斯科什·慕克吉
剧情:
喜剧,讲一个男人通过装假胡子装扮成兄弟两个人,周旋于女友和未来岳父之间,因为岳父喜欢有胡子的人,认为有胡子的人成熟稳重。RamprasadDashrathprasadSharma(AmolPalekar)islookingforabetterpayingjob.HeandhissisterRatna(ManjuSingh)havenorelativesoracquaintancesexceptDr.Kedar(David).Dr.KedartellshimaboutBhavaniShankar’s(UtpalDutt)firmknownasUrmilaTraders.Shankarisaweirdman.Heisamanoftraditionalvalues,hencehenaturallyhatesyouthwearingmodernclothes.Heisasportsfan,butthinkslowlyofyouthknowinganythingaboutsports.Buthismostweirdtraitishatredtowardsmenwithoutmoustaches.Hethinksthatmenwithoutmoustachesarecharacterless.Ramprasadhasamoustache.Hetakescareofotherproblemsbywearingkurta&feigningignoranceaboutsports.Bhavanihireshimimmediately.Ramisahardworkingguy,soBhavani(&Ram)havenoproblems.However,Ramoncetakesleavebypretendingthathismother(whodiedmanyyearsago)hastakenill,andgoestowatchahockeymatch.BhavaniShankar,whoalsoattendedthematch,seeshimthere.ThenextdayBhavanisummonsRamprasadtohisofficeandaskshimabouttheHockeymatch.Rememberingtheplotofamovieafriendofhisisshooting,RamconvincesBhavaniShankarthathehadseenhis"moustache-less"identicaltwinLucky(aliasLakshmanprasadDashrathprasadSharma)atthestadium.BhavaniShankarbuyshisargument&feelsbadaboutaccusinghimanddecidestomakeamendsbyhiringLuckytoteachhisdaughterUrmila(BindiyaGoswami)music.RamprasadreluctantlyshaveshismoustachetobecomeLuckyandstartstoteachmusictoUrmila.HeishelpedbyhisactorfriendDevenVerma(playinghimself).NowUrmilaakaUrmiistheexactoppositeofherfather.ShetakesimmediatelikingtoLucky,whileRamisbarelynoticedbyher.Bhavaninoticesthis&givesRamanotherjobtotutoronthepretextofherexams.Meanwhile,Mrs.Srivastav(DinaPathak),asocialite,isropedtoplaythepartofRam,"Lakshman"&Ratna’smother.LikeRam,shealsoendsupplayingherowntwininfrontofBhavani.RamdecidestotellUrmilathetruth.UrmilatellshimtotellthetruthtoBhavaniaswell.RamgoestoBhavanitotellthetruth,butBhavaniseesRam’smoustachegivingaway.BhavaniexposesRam,butendsupthinkingthatLuckymurderedRam&impersonatedhimtomarryUrmila.Inahilariouschasethatfollows,Bhavaniendsuptotallingapolicejeep.TheSeniorInspector(OmPrakash)mistakeshimforathugnamedPascalD’Costa&isabouttolockhimupinthejail.OnlywhenhisInspectoridentifiesBhavaniShankarbyhisrealidentityishefreed.Bynow,aharriedBhavanihasdevelopedhatredfortwinaswell.Oncominghome,hefindsthatUrmila&Luckyaremarried.Herefusestogivethemblessings,untilDr.Kedarcomestothescene&explainsthewholesituation.Now,Bhavanibecomesevenmorefurious,butoneverybody’sinsistence,relents.ThefilmendswithafamilyphotoofMrs.Srivastav,Ratna,Urmila,Ram,Dr.Kedar,Bhavani’ssisterKalindi(ShubhaKhote)&Bhavani(whoisshownwithoutmoustache).
导演:
Olympe de G.
主演:
剧情:
碧姬·莱尔以65岁高龄出演69岁的女主角莎乐美,想以高潮的方式结束最后一次性爱,以伪纪录片的形式,与导演桑德拉寻找最后一次性爱的陌生人,在对话中探讨变老的种种,在寻求最后一次性爱的过程中发生了些变化,她的最后一次也会是第一次,就像每一次结束都是新的开始。
导演:
基兰·饶
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剧情:
It’sajollymesswhentwoyoungbridesgetlostfromatrain.Setin2001,somewhereinruralIndia.
导演:
内详
主演:
剧情:
改编自AmyChozick的畅销书《ChasingHillary》。讲述4个女记者密切跟进一群有污点的美国总统候选人,并在过程中找到友谊、爱和丑闻。
导演:
夸克斯
主演:
剧情:
After realising he has died at the scene of a car crash, Nathan descends into the depths of hell, where he is doomed to experience the pain of tortured souls along the way.
导演:
格塔·帕特尔
剧情:
"UndertheBridge”isbasedonacclaimedauthorRebeccaGodfrey’sbookaboutthe1997truestoryoffourteen-yearoldReenaVirk(VritikaGupta)whowenttojoinfriendsatapartyandneverreturnedhome.ThroughtheeyesofGodfrey(RileyKeough)andalocalpoliceofficer(LilyGladstone),theseriestakesusintothehiddenworldoftheyounggirlsaccusedofthemurder—revealingstartlingtruthsabouttheunlikelykiller.
导演:
玛利亚·卡夫塔拉德泽
主演:
剧情:
《热恋慢慢来》(Slow)探讨鲜少被关注的无性恋者世界,在一场听障学生的舞蹈课,豪放的现代舞者艾莲娜对手语翻译员多维达斯一见钟情,对方却是位无性恋者,两人互动将激发观众对欲望的全新理解。
导演:
奥利维埃·纳卡什,埃里克·托莱达诺
剧情:
Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by bee...
导演:
约瑟夫·罗西
剧情:
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
导演:
福山雅治
剧情:
1990年のデビューから歌手活動30年を越え、男性ソロアーティスト総CD売上げ歴代No.1の記録を持つなど、名実ともに日本を代表するアーティスト?福山雅治が、2023年夏に開催した「言霊の幸(さき)わう夏 @NIPPON BUDOKAN 2023」。3年半の時を経て“観客の声”が帰ってきた自身にとっても大切な瞬間を、福山自ら監督を務め映画化。
福山本人が監督を務める本作。ライブの総合演出、映像、音の全てを福山自身が監修。実際のライブを、40台以上のカメラで360°全方位、日本武道館史上初となる、アリーナに観客を入れた状態でのドローン撮影(※)を実施するなどハイクオリティの映像が収録された。
さらにDolby Atmos?(ドルビーアトモス)の最高の音響技術を駆使し、細部に至るまで徹底的に拘って理想の音の表現を追求した。
本作を制作する上で福山が目指し...