Ju
搜索"Ju" ，找到 1371部影视作品
导演：
Jack Hill
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科林（JudithM.Brown饰）遭到了谋杀的指控，被关入了位于菲律宾的监狱里，等待着她的，是长达20年的牢狱之灾。人高马大的格利尔（帕姆·格里尔PamGrier饰）是监狱里的大姐大，她一眼就相中了与众不同的科林，想要逼迫她委身于自己，但个性倔强的科林怎么可能就范，在反抗格利尔的过程中，科林和名叫邦妮（帕特·伍德尔PatWoodell饰）的女囚成为了朋友。某日，科林被女警官带走了，她打算通过刑讯逼供的方式迫使科林承认自己没有犯过的罪行。焦急的邦妮找到了聪明伶俐的阿尔科特（罗伯塔·科林斯RobertaCollins饰），两人决定联手进行救援行动。
导演：
Thomas Nikel
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拉布拉多犬哈奇是一只流着优秀猎犬血统的狗，由于它的出色素质，完成了一项项不可能的任务……满载乘客的大型客车与高速行驶的卡车相撞。所有乘客抛下悬崖；更骇人的是：卡车运载的是特级危险品。情况异常危急。救援犬队的队长和他的拉布拉多犬‘哈奇’也在现场，但队长也是命悬一线。机灵战功显赫的‘哈奇’将如何展开这场雷霆大救援？
导演：
嘉维尔·昆塔斯,Jorge Saavedra,José Luis Alegría
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Determinedtofindoutwhokilledhisfather,hewilldiscoverfamilysecretsthatwillchangehisdestinyforever.
导演：
Anthony Cousins
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1999年夏天，一位名叫达拉斯·凯尔的12岁男孩拍摄到传说中的蛙人的镜头，但没有人相信这是真的。二十年后，达拉斯现在是一名业余电影制作人，努力将自己的热情转化为职业，他与朋友回到拉夫兰，决心获得无可辩驳的证据证明蛙人存在。但是，当达拉斯揭开隐藏在洛夫兰田园诗般的表面之下的可怕秘密时，这部纪录片很快就变成了洛夫克拉夫特式的噩梦。
导演：
汉萨·梅塔
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In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.
导演：
西里斯科什·慕克吉
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喜剧，讲一个男人通过装假胡子装扮成兄弟两个人，周旋于女友和未来岳父之间，因为岳父喜欢有胡子的人，认为有胡子的人成熟稳重。RamprasadDashrathprasadSharma(AmolPalekar)islookingforabetterpayingjob.HeandhissisterRatna(ManjuSingh)havenorelativesoracquaintancesexceptDr.Kedar(David).Dr.KedartellshimaboutBhavaniShankar’s(UtpalDutt)firmknownasUrmilaTraders.Shankarisaweirdman.Heisamanoftraditionalvalues,hencehenaturallyhatesyouthwearingmodernclothes.Heisasportsfan,butthinkslowlyofyouthknowinganythingaboutsports.Buthismostweirdtraitishatredtowardsmenwithoutmoustaches.Hethinksthatmenwithoutmoustachesarecharacterless.Ramprasadhasamoustache.Hetakescareofotherproblemsbywearingkurta&feigningignoranceaboutsports.Bhavanihireshimimmediately.Ramisahardworkingguy,soBhavani(&Ram)havenoproblems.However,Ramoncetakesleavebypretendingthathismother(whodiedmanyyearsago)hastakenill,andgoestowatchahockeymatch.BhavaniShankar,whoalsoattendedthematch,seeshimthere.ThenextdayBhavanisummonsRamprasadtohisofficeandaskshimabouttheHockeymatch.Rememberingtheplotofamovieafriendofhisisshooting,RamconvincesBhavaniShankarthathehadseenhis"moustache-less"identicaltwinLucky(aliasLakshmanprasadDashrathprasadSharma)atthestadium.BhavaniShankarbuyshisargument&feelsbadaboutaccusinghimanddecidestomakeamendsbyhiringLuckytoteachhisdaughterUrmila(BindiyaGoswami)music.RamprasadreluctantlyshaveshismoustachetobecomeLuckyandstartstoteachmusictoUrmila.HeishelpedbyhisactorfriendDevenVerma(playinghimself).NowUrmilaakaUrmiistheexactoppositeofherfather.ShetakesimmediatelikingtoLucky,whileRamisbarelynoticedbyher.Bhavaninoticesthis&givesRamanotherjobtotutoronthepretextofherexams.Meanwhile,Mrs.Srivastav(DinaPathak),asocialite,isropedtoplaythepartofRam,"Lakshman"&Ratna’smother.LikeRam,shealsoendsupplayingherowntwininfrontofBhavani.RamdecidestotellUrmilathetruth.UrmilatellshimtotellthetruthtoBhavaniaswell.RamgoestoBhavanitotellthetruth,butBhavaniseesRam’smoustachegivingaway.BhavaniexposesRam,butendsupthinkingthatLuckymurderedRam&impersonatedhimtomarryUrmila.Inahilariouschasethatfollows,Bhavaniendsuptotallingapolicejeep.TheSeniorInspector(OmPrakash)mistakeshimforathugnamedPascalD’Costa&isabouttolockhimupinthejail.OnlywhenhisInspectoridentifiesBhavaniShankarbyhisrealidentityishefreed.Bynow,aharriedBhavanihasdevelopedhatredfortwinaswell.Oncominghome,hefindsthatUrmila&Luckyaremarried.Herefusestogivethemblessings,untilDr.Kedarcomestothescene&explainsthewholesituation.Now,Bhavanibecomesevenmorefurious,butoneverybody’sinsistence,relents.ThefilmendswithafamilyphotoofMrs.Srivastav,Ratna,Urmila,Ram,Dr.Kedar,Bhavani’ssisterKalindi(ShubhaKhote)&Bhavani(whoisshownwithoutmoustache).
导演：
查理·卓别林
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影片讲述玻璃匠夏尔洛（查理·卓别林CharlesChaplin饰）和弃婴（杰基·考甘JackieCoogan饰）之间一段笑中有泪的感人故事。夏尔洛在垃圾箱旁发现了一个弃婴并收养了他。等到孩子长到四五岁的时候，就已经非常懂事。两父子合演双簧，儿子打碎玻璃，父亲就上前更换玻璃从而养家糊口。夏尔洛带着“儿子”躲避警察的追捕，以免他被送入孤儿院。可孩子的母亲后来有了钱，悬赏找回孩子。有人为钱把孩子从夏尔洛身边偷走，他四处追查也没有找到。疲惫的夏尔洛在梦中来到了天堂。一觉醒来的他，居然发现“儿子”跟他的母亲就站在自己的眼前……本片在1978年巴西《标题》杂志评选的100部最佳影片中名列67。
导演：
迈克尔·肖沃特
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本片根据RobinneLee同名小说改编。由《大病》《塔米·菲的眼睛》导演迈克尔·肖沃特执导。40岁的离异母亲苏菲（安妮·海瑟薇饰），她的丈夫出轨年轻姑娘而抛弃了母女俩，也取消了原计划带着女儿去科切拉音乐节之旅。苏菲收拾好心情，整装出发，带着女儿去了科切拉，并见到了女儿最喜欢的乐队——AugustMoon，而这支乐队是目前全球最火的乐队，主唱海耶斯·坎贝尔（尼古拉斯·加利齐纳饰）聪明、成功、自信、时髦，对女孩子有立竿见影的吸引力。而且只有24岁，而俩人竟然走到了要一起。他们从一系列秘密约会开始，很快就演变成一段真切并且充满激情的关系。这是一次跨越各大洲的旅程，苏菲和海耶斯在彼此的世界里穿梭：从体育场之旅到国际艺术博览会，再到巴黎和迈阿密的僻静之所。对于苏菲来说，这是一场自我恢复，也是一次对幸福和爱情的重新发现。但是，当苏菲和海耶斯的恋情传遍网络，她和她的女儿都成为狂热粉丝和媒体的目标时，苏菲必须直面这个问题：她自己的浪漫关系会如何影响那些她最关心的人的生活？
导演：
C.J. 'Fiery' Obasi
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Whentheharmonyinavillageisthreatenedbyoutsideelements,twosistersmustfighttosavetheirpeopleandrestorethegloryofamermaidgoddesstotheland.源自：https://festival.sundance.org/program/film/638a1f6677dd3d8174806d1a
导演：
Tarek Roehlinger,马丁·施莱尔
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露比无意中目睹了麦克斯顿霍尔私立高中一个爆炸性的秘密，傲慢的百万富翁继承人詹姆斯博福被迫跟这个聪明敏锐的优秀学生杠上了，试图封住她的嘴，但他们的过招让他懊恼不已。他们火药味十足的针锋相对，意外地点燃了火花…
导演：
内详
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改编自AmyChozick的畅销书《ChasingHillary》。讲述4个女记者密切跟进一群有污点的美国总统候选人，并在过程中找到友谊、爱和丑闻。
导演：
玛利亚·卡夫塔拉德泽
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《热恋慢慢来》（Slow）探讨鲜少被关注的无性恋者世界，在一场听障学生的舞蹈课，豪放的现代舞者艾莲娜对手语翻译员多维达斯一见钟情，对方却是位无性恋者，两人互动将激发观众对欲望的全新理解。
导演：
奥利维埃·纳卡什,埃里克·托莱达诺
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Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by bee...
导演：
珊农·廷德尔,约翰·青岛崇
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棒球巨星佐藤建回到家乡日本，接手成为超级英雄奥特曼，担当保卫地球的任务，却很快就发现工作不如想像中简单，因为他被迫抚养头号大敌留下的孩子。
导演：
约瑟夫·罗西
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ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
导演：
罗伯特·奥特曼
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故事发生在位于密西西比的劳改农场之中，杀人犯鲍尔斯（基思·卡拉丹KeithCarradine饰）伙同他在狱中结识的一干亡命之徒实施越狱，幸运之神眷顾了他们，成功越狱后的鲍尔斯一行人来到了亲戚家，打算躲躲风头。在那里，鲍尔斯遇见了名为剀切（谢莉·杜瓦尔ShelleyDuvall饰）的女子，剀切的温柔善良令鲍尔斯一见钟情，可是，如今沦为逃犯的鲍尔斯真的能够如他所愿抱得美人归吗？越狱之后，鲍尔斯和他的兄弟们不甘寂寞，抢了几次小劫，“收成”尚且说得过去，这令几个大男人放松了警惕。终于，在又一次抢劫之中，劫匪们遭遇了“滑铁卢”，躲避着穷追不舍的警察，鲍尔斯来到了剀切处，希望她能够提供庇护。
导演：
Lagueria Davis
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ItshowcasesthestorybehindthefirstBlackBarbie.Itstartedwiththefilmmaker’s83-yearoldaunt,BeulahMaeMitchellandaseeminglysimplequestion:"whynotmakeaBarbiethatlookslikeme?"
导演：
Shawn Papazian
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一年前，德州女孩妮可·卡洛（詹米·亚历山大JaimieAlexander饰）与男友杰西·希尔斯（乔伊·曼迪西诺JoeyMendicino饰）在前往洛杉矶的途中神秘失踪，至今下落不明。杰西的哥哥汤姆（理查德·提尔曼RichardTillman饰）退役回到家乡，他一心寻找失踪的弟弟，于是约上女友玛丽莲（杰茜·沃德JessieWard饰）和好友杰拉德（格莱姆·诺瑞斯GrahamNorris饰），三人驾着小卡车踏上前往洛杉矶的旅途。在一个加油站老板（史蒂文·瑞尔斯拜克SteveRailsback饰）的提示下，他们行驶到妮可二人失踪的旧公路上。偶然机缘，三人分开，而恐怖神秘的黄色小卡车再次出现，他们各自经历了人生中最惊悚与离奇的时刻……
导演：
阿雷克西·查多夫
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伊万出发前往叙利亚执行危险任务，拯救被极端组织俘虏的前指挥官格雷，在美军巡逻队的帮助下，他成功解救了格雷，并在被恐怖分子追捕的同时试图逃离该国
导演：
Juan Taratuto
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AlanBinderisaskillfulhostagenegotiator,thebestinMexico,whowillsoonfacethemostcrucialcaseofhiscareerwhenthePresidentandhisloverarekidnapped.Thekidnapperdemandstonegotiateonlywithhim.