Murr

莱西，一个社会分离的孤独者被诅咒与不朽和永无休止的单调的存在。在她试图控制她的强迫，她寻找人类必须提供最黑暗的灵魂。莱西现在必须面对自己的内心恶魔，同时找到她的下一餐。

本片以过三十年代的大乐队时代为故事背景，描述一名萨克斯爵士乐手与一名女歌手之间爱恨交缠的情感，充满着人生的困惑和奈，跟一般好莱坞歌舞片的明亮轻快大异其趣

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

职业大盗里奇运气欠佳，盗窃出了问题，他是唯一的生还者，里奇被只有无奈地接受惩罚，他被派到俄罗斯偷取在莫斯科摩天大厦顶层房子的贵重古董，可事情开始时已经不大顺利，在抢劫期间，里奇和俄罗斯搭档更被警察困在空置的13楼，他们唯有胁持人质…

Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one.　　91　　Those who survive the ghost ship are better off dead!

这部剧灵感来自喜剧演员歌手Bridget Everett本人的生活，背景设置在她老家堪萨斯州；女主Sam（Bridget Everett饰）虽然是堪萨斯州人，但她一直与此地格格不入，而唱歌对她来说是救赎。Sam会踏上探索自我的旅程，即使是在自己家乡犹如局外人也她，她仍然不会轻言放弃。

哈利·道尔顿博士（皮尔斯·布鲁斯南PierceBrosnan饰）是美国地质勘探中心的一名火山学专家，这次他被派到但丁峰上的一个小城镇视察，而小城镇所在的但丁峰正是华盛顿附近的一座休眠火山。哈利来到镇上，恰逢市长蕾切尔（琳达·汉密尔顿LindaHamilton饰）在主持庆祝活动，因为小镇刚刚获得了全美最佳居住环境第二名的大奖。蕾切尔与她的两个孩子带哈利四处参观，路过温泉湖畔，哈利注意到湖水酸度过高，并发现了两具煮熟的浮尸。哈利顿感情况不妙，火山极有可能喷发，并建议蕾切尔发布预警，然而与哈利同行的上司保罗却认为他是反应过度，并打算在一周的勘探任务完成后打道回府，镇委会也出于种种利益目的，拒绝发布预警。然而就在一天夜里，镇上的水突然被硫磺污染，而这正是火山喷发的前兆，蕾切尔立即启动了全民撤离计划，然而她的母亲却在山腰上拒绝撤离。就在此时，火山已不可遏止地喷发了……

人类或半人，谁将幸存下来？

设定在不久的将来，经济上面临挑战的加利福尼亚州创立了一项大乐透玩法：你需要在日落前杀死赢家，才能合法领取他们的奖赏。刚搬到洛杉矶的凯蒂(奥卡菲娜)意外发现自己中奖，她必须和业余头奖保护者诺尔(塞纳)合作，确保能活到日落，以领取数十亿美金奖励。与此同时，诺尔的竞争对手、同为保护者的路易斯(刘思慕)也想一路护送凯蒂到日落，来获得丰厚的佣金。