Mo
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导演：
尼尔·马歇尔
剧情：
On her final combat mission across the rugged mountains of Afghanistan, Royal Air Force fighter pilot Lt. Kate Sinclair’s jet is shot down over one of the most dangerous rebel strongholds. When insurgents come after her at the crash site, she finds refuge in a long since abandoned underground bunker. After tracking Sinclair into the depths of the bunker, the insurgents accidentally awaken a man-made deadly biological weapon known as the Ravagers - half human, half alien and hungry for human flesh. Terrified, she watches the creatures rip apart the men pursuing her. Sinclair barely escapes and is picked up by a US army patrol sent to find her. Major Roy Finch, commander of the local US army outpost ‘Fort Apache’, and his ragtag squad of brave soldiers have a difficult time believing mutant monsters have been kept hidden in these mountains. Unaware that she has been tracked to their base, dozens of the vicious creatures are already swarming towards them.
导演：
Siwakorn,Jarupongpa
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在曼谷偏远的山区森林裡，有许多名人被邀请参加派对，一台旧型的卡拉OK机被摆放在最显眼的角落。现场有人手痒插上插头准备开唱，却赫然出现一位穿著校服的年轻女鬼（吉娜戴素萨 饰），手持斧头狂杀现场来宾。侥倖没死的来宾也在她控制下要求唱歌，只要走音或忘词就杀无赦！
导演：
Calvin Morie McCarthy
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A sleep study goes awry when participants start to go missing.
导演：
José,Mojica,Marins
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掘墓者兼杀人狂约瑟夫•赞纳塔斯（Raymond Castile 饰）经过四十多年的牢狱生活，终于凭借巴西法律的帮助重获自由。但是监狱并未削弱邪恶的力量，他心中仍然笃定着对恶魔撒旦的信念。约瑟夫和其忠实的随从搬到贫民窟，约瑟夫时刻受到往日罪行的纠缠，昔日伴侣们的鬼魂让其痛不欲生，然而他仍希望找到一个完美的女子延续自己的生命，为此不惜大开杀戒。 今非昔比，四十年后社会动荡，官员腐败。军警奥斯瓦多（Adriano Stuart 饰）及其兄弟较约瑟夫有过之而无不及，这两拨邪恶人马注定要有交锋的一天……
导演：
Mark,Pavia
剧情：
这晚，纽约州又一名机场管理员巴克暴毙在停机坪上，尸体乾瘪瘪的被人完全抽干了所有的血。这一事件震撼了新闻界，因为先前在缅因州也发生了类似的命案，于是，“吸血鬼复活”的传言传遍了美国的大街小巷，一时人人惊慌。这晚，在马里兰州雷雨之夜，身穿漆黑大披风的夜行者再次驾驶飞机犯案，又两位无辜的市民度惨死在他手中，犯案情节竟和《吸血鬼瑞菲》的电影情节一模一样。报社主编莫里森（丹尼•莫纳汉 Dan Monahan 饰）让拥有飞机执照的资深记者理查德（米高•佛瑞 Miguel Ferrer 饰）越州对这一事件进行深入报导，到底还有多少人命丧恶魔之手？
导演：
Todor Chapkanov
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本片讲述的是一个石油公司派了一群专家找到了新的油源，准备进行地面开采石油，但后来意外释放了像狼一样凶猛的野兽，附近的小镇因此遭到了严重的破坏。镇上的生物被屠戮殆尽，最终最后幸存的美国原住民结束了这场可怕的灾难。
导演：
丹·博文
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《富豪谷底求翻身》第一季节目中，白手起家的大亨葛伦史登斯要证实美国梦并非遥不可及。观众看到葛伦变成一无所有的人，没有头衔、没有财富、没有人脉，丢包在一个他从未去过的城市，口袋裡只有100美元，然后试图在90天内打造出一家价值百万美元的公司。受到葛伦大胆尝试的启发，三位企业家也想接受这个大挑战。这季将有三位成功的企业家赌上100万美元，在三个不同的城市谷底求翻身，以身上仅有的100美元重新白手起家，接著在90天内让事业超过百万美元大关。挑战结束时，他们将各自向协助自己建立起新事业的人们透露真实身份。他们到底能不能把创意点子变成现实？新冠肺炎迫使美国许多企业关门大吉，他们是否有能力应付疫情的影响？
导演：
Daniel,de,la,Vega,Pablo,Parés
剧情：
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
导演：
Alex,Noyer
剧情：
Alexis composes music through torture and pain. As a child, the brutal murder of her family made her regain her previously-lost hearing along with synesthetic abilities. Now as an adult, she’s told she might lose her hearing again, so she escalates her gruesome sound experiments in a quest to compose her masterpiece. Her supportive roommate Marie becomes the unknowing acolyte to her destructive process.
导演：
Jacinto,Molina
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
导演：
亚历山大·诺达斯
剧情：
《林中女妖》取材自北欧神话人物“HULDRA”。在挪威民间故事中，HULDRA是一个居住在从林深处的仙女，她咏唱出美妙的歌曲，勾引那些到森林砍柴打猎的壮士流连忘返。这些人眷恋HULDRA的美貌，却也被她如牛鞭的尾巴吓倒，妄想逃脱，却被HULDRA永世囚禁在丛林中陪伴她左右…… ‘Thale 塔莱’ 是根据挪威民间古老传说的一名神话人物称为 'HULDRA' 的惊悚剧情片。 传说中 'HULDRA' 是生活在森林深处一个美丽(有时)赤裸的女妖精，她拥有一头牛的尾巴，据说她时常引诱或绑架男人进入 森林与她性交。如果和她做爱能满足她的男人将得到奖赏，而那些反抗或不能在'性交'方面满足她的男人，将会被她杀害...
导演：
Matthew Ninaber
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雇佣兵们去营救一名被囚禁在冷战遗存的地堡中的生物工程师。 在进入不祥的设施后，他们发现自己要为生命而战，因为他们遭到了一种未知的致命生物的攻击。
导演：
Peter,Ricq
剧情：
On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard partying parents from their predatory neighbour (Lauren Holly) who is intent on feeding them all to her undead family…
导演：
Carl,Boese,Paul,Wegener
剧情：
德国表现主义代表作品 A 公元4世纪的犹太教法典(Talmud)中提到过Rava造golem的事。Rava的全称叫Rabbi Abba ben Rav Hamma，他造了一个不会说话的“人”。他把这个“人”送到Rav Zera面前，由于它对问话没有反应，Zera就说：“你准是由我的某个同行造的。回归尘土吧。” (Sanhedrin 65b) 在宗教意义上，只有上帝造的人才是完整的人，才会说话，而Rava造的不是真正的人。按照犹太传统，当时那些拉比（Rabbis）和大贤（Sages）都能造人或者动物Golems，这并没有什么特别之处。 B Golem的传说后来逐渐改变，十七世纪由布拉格的Rabbi Loew（Rabbi意犹太教的学者）创造了一个Golem来保护住在犹太区的犹太人免遭反犹主义的暴力侵扰。为避免麻烦，故事中的学者总是在Golem完成它的使命以后，再自觉地把它重新变回为无生命的泥土。一天，Rabbi忘记将Golem变回泥土，当城市所有人已经作礼拜去了，Golem发怒毁坏全城。这个故事架构一直到十九、二十世纪都还在文学著作里出现，最著名的是Gustav Meyrink的《Der Golem》，在一九一五年普遍被阅读，值得探究的是，这样的小说刚好出现在工业革命的时代。这反映了人们对于科技所带来伦理的挑战的惶恐。 C 1920年由Carl Boese和Paul Wegener执导的经典默片Der Golem, wie er in die Welt kam (The Golem How He Came Into the World) 就是改编自Gustav Meyrink的小说。这部影片集中体现了德国表现主义艺术的特点，对Fritz Lang等导演产生过重大影响。其中精心设计了手提灯光、煤油灯光、火炬等一系列光源效果，用于表现人物的心理状态，营造影片的环境气氛。这种具有表现力地运用灯光效果的方法，最终发展为所有德国电影形式表现的一大特征，同时也为电影恐怖片的造型的表现手段提供了经验。 D Golem的传说同样也是玛丽·雪莱的著名科幻小说《弗兰肯斯坦》的来源之一，不过不同的是：传说中的Golem笨拙、鲁莽，既不知道自己有多大的力量，也不知道自己有多笨或者有多无知；而在玛丽·雪莱笔下，维克多·弗兰肯斯坦所创造的怪物虽然莽撞，但却善于学习，极富人性，懂得痛苦、同情、怜悯、爱慕、悔恨等等人类的情感，甚至比年轻的弗兰肯斯坦本人还成熟些。十八世纪的启蒙运动由提倡理性主义发展到后期，理性开始压抑人的情感，理性主义变成一种冰冷僵硬的东西。于是在德国兴起了反对启蒙运动的浪漫主义运动，十九世纪前期，浪漫主义文学席卷欧美，玛丽·雪莱的《弗兰肯斯坦》就是在这个背景下诞生的。不过在通俗文学中反理性反科学的倾向总是显得有些矫枉过正，科学和科学家的形象被简单化、平面化，这种描绘“科学怪人”的方式在默片时代的德国表现主义电影中曾经十分兴盛，后来一直在好莱坞许多拙劣的科幻片（这种片子的一大特点就是不断拍摄越来越拙劣的续集）中继续。 E当代科学哲学研究最热门的一个方向是科学知识社会学（SSK），研究方法是深入到科学具体研究过程中，细致考察经费筹集、论文发表等每一个环节，研究科学知识是如何建构起来的，强调社会因素在建构过程中的作用。SSK的代表人物柯林斯和平奇在1993年出版过一本普及性的小册子，名字就叫Golem，翻译成《勾勒姆：关于科学人们应知道些什么》。柯林斯坦诚地说，他这部书是想用“勾勒姆”解释“科学”，“我们试图证明它不是一个邪恶的造物，只是有点疯狂（或译成‘傻’）（it is not an evilcreature but it is a little daft）。不要责备勾勒姆科学的过失；是我们人类在犯错误。如果勾勒姆尽力做其自己的事情，它不应受到责备。但是我们不能奢望过多。勾勒姆尽管强有力，它却是我们的文化（art）或者我们的技艺(craft)的造物。”SSK常常被斥为带有反科学倾向，但可以看出，它与浪漫主义时期的反科学倾向完全不同。它所描绘的科学形象丰满，有血有肉，它所谓的“反科学”无非是要抹去那些被强加于科学的重重面纱，还科学一个真实的面目，绝非19世纪简单的拒斥、贬低科学。
导演：
安德丽亚·哈金
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It explores the beautiful and haunting tale about one woman's fight to tell her story.