Yui

マンガクロスにて好評連載中、コミックス累計50万部突破の話題作！癒しのお仕事コメディが待望のTVアニメ化!!上司からのパワハラで精神と胃をやられ、広告代理店の営業職に転職した桃瀬。しかし過去のトラウマが原因で「新しい上司もまたパワハラ上司だったらどうしよう…」と、初日早々に胃痛で動けなくなってしまう。そんな時、一緒に外回り中だった新しい上司・白崎がとった行動とは……?!予想外の上司の「ど天然」に、きっとあなたも癒される──!!

生活在现代的雪女后代冰室君，是个一有情绪波动，就会引发暴风雪并制造出雪人或者雪屋的新社会人。由于他对有些独特但很善良的同事冬月小姐的暗恋之情变得越来越强烈，有时候甚至会将周围冰冻起来。另一方面，被周围人认为很高冷的冬月小姐也对神秘的冰室很感兴趣。 　　两人的关系通过日常工作和公司活动逐渐发生变化，私底下也开始有了交集，然而两人都不擅长谈恋爱，还差一步就能拉近彼此的距离… 　　由两个看似很酷的人所编织的感人“工作系奇幻爱情喜剧”开幕了！

《#能干的猫今天也忧郁#》是漫画作者山田ヒツジ(山田羊)连载的少年漫画作品。该漫画宣布TV动画化~

イケメンとグルメを掛け合わせた、ハイブリッド新感覚ドラマ。乙女ゲーム愛好者でイケメンをこよなく愛す池田好美（２８）は文芸誌の編集者。超少食で食べる事が苦手だが、急遽グルメ誌を担当することに。食に全く興味のなかった好美だったが、イケメンの新人社員?細見賢人（２２）と食事をしたときに才能が開花！彼女はイケメンと食事をするとムラムラし、食欲が増進するのだった。初めて食欲を感じた好美は少食改善のため“イケメンごはん”を追求することを誓う…。

在平行世界的日本，铁道国有化根深蒂固。就读于桐生铁道高中的高山直人（福山润 配音）梦想进入国铁担任火车司机，从此过上安安稳稳的生活。为此他进入学生铁道OJT参加培训，并在此结识了性格过激的暴力女樱井葵（沼仓爱美 配音）和头脑简单四肢发达的岩泉翔（日野聪 配音）等人。好不容易通过了OJT的测试，结果直人他们却被分配到了东京中央铁路公安室第四警戒班。原来国铁长期赤字，许多地方线路长期废弃。为此有很多组织以极端的手段要求国家将铁路实现民营化，于是铁道公安队应运而生。直人他们成为铁路上不可或缺的重要存在……　　本片根据丰田巧的轻小说改编。

故事以被称为日本三大铭酿地之一的广岛县西岛市为舞台，讲述了发现日本酒的魅力、在历史悠久的酿酒厂奋斗并遇到初恋的农大学生橘诗织的故事。                                                                    诗织梦想着能够在酿酒厂进行研修，选择了广岛县的酒窖作为自己的实习场所。在那边，她遇到了毫无动力的酒窖老板的儿子、卧病在床的酒窖老板、严格的酿酒人、以及既是米农也是酒窖家庭的美咲，开始实习的诗织却总是遇到失败。在这个时候，酒窖老板突

In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. 　　Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.

以维多利亚时代的伦敦为背景，讲述了一群陷入困境的街头少年被人操纵，为阴险的华生医生及其神秘的商业伙伴（难以捉摸的夏洛克·福尔摩斯）破案的故事。犯罪活动逐渐呈现出令人恐惧的超自然背景，并且出现了一股黑暗势力，这支非正规侦缉小队的成员必须团结起来，一起拯救伦敦和整个世界。